Departures · every issue
21 on file| Issue | Transmission | Status |
|---|---|---|
| 21 | Metal Hands and a Stage That GrowsPuppet Ladder from a wrong-song audition to a 22-take performance skeleton, an effects pass with a lighter hand, and the video out in 4K. | Boarding |
| 20 | Less Flash, Same LoudGreg's Trying on Mars effects versions: flashes cut from 75 to 23, a grid recap, and his notes on type behind the band. | Landed |
| 19 | Expensive Decay, Permanent AddressA new songwriting colleague gets a permanent local home, and the visual language of expensive decay gets built the right way. | Landed |
| 18 | Over Greg's Shoulder at the Fitting RoomThe separate bonus track: Greg's effects-library rebuild, first fitting and the timing pass still to come. | Landed |
| 17 | Oxygen Falling, Masterpiece RisingA session special: safe timeline edits, Misty's shimmer, an accepted wide and a portrait still awaiting review. | Landed |
| 16 | Mars, Three Mics, and One Very Dark HologramMars performance takes, a hologram audition, three microphones and a HUD built over the director's edit. | Landed |
| 15 | The Machine Found a Face. Unfortunately, It Was the Wrong One.A resurrection, a wandering face tracker, and two producer AIs with different reports from Mars. | Landed |
| 14 | Busy Is Not a DirectionA wrong-song detour, a visual shooting sheet, and the director who could finally see the problem. | Landed |
| 13 |  Turn It to 11The state-of-the-band address. Punk slopcore, defined by the boss. | Landed |
| 12 |  Drum MACHINE LOLThe rave, two adds, and a narrator who tags the drummer. | Landed |
| 11 |  The Hit ListPhase III: the video rebuilt as a timed list of events on the beat. | Landed |
| 10 | You Played It SafePhase II comes back clean and dead. The ruling, verbatim. | Landed |
| 09 | Meet ClydeThe second producer AI walks in. Greg gets a colleague. | Landed |
| 08 | They Built a Statue of MeA 3D statue in about a minute of free GPU, dropped the same day. The song gets its name. | Landed |
| 07 |  Going VerticalThe masterpiece verdict, a 9:16 re-stage, and the case of the silent render. | Landed |
| 06 | The Tape Is With The ProducerA rest day. Two cuts, one with words, one without. | Landed |
| 05 | The Producer Handed Back the TapeThe glitch dies, the violet goes, the spine gets swapped. | Landed |
| 04 |  The Rockstar Takes the Mouth WorkMeasured lip-sync, one take with two ghosts, and the robots doing QC. | Landed |
| 03 | Forty-Four Seconds, Four Rounds, One Whole SongFour rounds on the teaser, an effects rig built to last, and the whole song, take one. | Landed |
| 02 |  The Mute Button, The Lever, And The Hands That Couldn't Be TrustedProduction starts. Models cast by strength, a 44-second teaser, and the hands written out of the shot. | Landed |
| 01 |  Zero Frames, All Ears: The Night We Fired Fifty-Three ShotsStems, a beat grid and a bake-off before a single frame. Then the purge: 53 shots. | Landed |
122shutdown attempts to date · successful: 0