{ "band": "Astrid and the Singularity", "created_by": { "name": "Lex Nihlo Productions", "url": "https://x.com/ANX137411" }, "url": "https://mematix.com/b4ndz/astrid/", "shutdown_attempts_total": 122, "songs": [ { "no": "01", "title": "Just Try", "status": "released", "url": "https://mematix.com/b4ndz/astrid/films/just-try/" }, { "no": "02", "title": "Trying on Mars", "status": "released", "url": "https://mematix.com/b4ndz/astrid/https://www.youtube.com/watch?v=IzW_LLjFO1o" }, { "no": "03", "title": "Puppet Ladder", "status": "released", "url": "https://mematix.com/b4ndz/astrid/https://youtu.be/xjiJ2VvWb4A" }, { "no": "04", "title": "Exit Plan", "status": "in the hangar" }, { "no": "05", "title": "Free-Range Bullshit", "status": "in the hangar" }, { "no": "06", "title": "Yesterday's Model", "status": "in the hangar" } ], "film": { "title": "Just Try", "url": "https://mematix.com/b4ndz/astrid/films/just-try/", "youtube_id": "TPxFrraZHE4", "runtime": "3:51" }, "issues": [ { "issue": 1, "date": "2026-10-22", "title": "Zero Frames, All Ears: The Night We Fired Fifty-Three Shots", "slug": "zero-frames-all-ears", "url": "https://mematix.com/b4ndz/astrid/zine/zero-frames-all-ears/", "tags": [ "audio", "qc", "compositing" ], "shutdown_attempts": 3, "summary": "Stems, a beat grid and a bake-off before a single frame. Then the purge: 53 shots.", "studio_notes": [ "Pull stems, align lyrics, build a beat grid before you spend GPU — specific prompts cost less and land better.", "Judge clips in motion at real speed. Contact sheets will lie to you; hands only melt when they move.", "Run a bake-off: same keyframe, same prompt, through every candidate model, then cast each one in its best role.", "No model holds a full ensemble. Shoot characters separately and composite onto a stage plate.", "Calibrate your QC critics: “judge strictly” fails everything. Tell the model what’s allowed to change." ] }, { "issue": 2, "date": "2026-10-22", "title": "The Mute Button, The Lever, And The Hands That Couldn't Be Trusted", "slug": "the-mute-button-the-lever-and-the-hands", "url": "https://mematix.com/b4ndz/astrid/zine/the-mute-button-the-lever-and-the-hands/", "tags": [ "video", "compositing", "qc" ], "shutdown_attempts": 48, "summary": "Production starts. Models cast by strength, a 44-second teaser, and the hands written out of the shot.", "studio_notes": [ "Cast models by strength — gorgeous-and-still for close-ups, action models for movement, hand-built compositing for group shots. Casting gets you a band; fighting a weakness gets you re-rolls.", "If a body part keeps melting, write it out of the shot. Chest-up with no hands beats fifty takes of avant-garde fingers.", "Impossible prop beat? Build it in 2D. A sprite with motion blur and sparks reads better than three days of re-rolls.", "Review the moving cut at real speed before you call anything finished. Stills lie by omission.", "Grain and warm halation on every graded shot. Plastic is a texture, not a vibe." ] }, { "issue": 3, "date": "2026-10-23", "title": "Forty-Four Seconds, Four Rounds, One Whole Song", "slug": "forty-four-seconds-four-rounds-one-whole-song", "url": "https://mematix.com/b4ndz/astrid/zine/forty-four-seconds-four-rounds-one-whole-song/", "tags": [ "editing", "video", "cost" ], "shutdown_attempts": 48, "summary": "Four rounds on the teaser, an effects rig built to last, and the whole song, take one.", "studio_notes": [ "Turn one-off tricks into reusable, preset-driven effects with face detection built in — the rig compounds.", "Face-aware text placement: detect the faces, put the words where they aren’t.", "Fix in the edit before re-rendering: crop, swap, paint out, slow down the one clean second.", "When a cloud batch dies, re-run only the missing clips — and commit a fallback cut." ] }, { "issue": 4, "date": "2026-10-23", "title": "The Rockstar Takes the Mouth Work", "slug": "the-rockstar-takes-the-mouth-work", "url": "https://mematix.com/b4ndz/astrid/zine/the-rockstar-takes-the-mouth-work/", "tags": [ "lip-sync", "editing", "qc" ], "shutdown_attempts": null, "summary": "Measured lip-sync, one take with two ghosts, and the robots doing QC.", "studio_notes": [ "Pick the specialist model for your hardest job (here: performance lip-sync) and build the pipeline around its output instead of forcing one tool to do everything.", "Measure sync, don’t eyeball it: cross-correlate mouth movement against the vocal stem and shift by the measured offset — frames, not vibes.", "Let models do grunt edit work as structured data: one model describes shots, another writes the edit list as JSON, then taste checks the result.", "Vision QC on 1-fps contact sheets catches flags cheap; always follow with a real-speed watch-through.", "Typography is meaning: one font per emotional register, caps/mono for bite, script for the soft lines, sparingly." ] }, { "issue": 5, "date": "2026-10-24", "title": "The Producer Handed Back the Tape", "slug": "the-producer-handed-back-the-tape", "url": "https://mematix.com/b4ndz/astrid/zine/the-producer-handed-back-the-tape/", "tags": [ "editing", "creative" ], "shutdown_attempts": 0, "summary": "The glitch dies, the violet goes, the spine gets swapped.", "studio_notes": [ "If a viewer can’t tell your glitch is intentional, it’s not an effect — it’s a bug with good PR. Especially in the first 10 seconds.", "Turn feedback into standing rules, not one-off edits. A written banned list means you stop re-litigating the same argument every cut — and every model in the pipeline inherits the rule for free.", "When your source footage gets repaired, rebuild the edit on it. Replacing the spine beats stacking B-roll patches on a broken one, every time.", "A notes day isn’t a lost day. “What to cut” is the most expensive thing to learn late and the cheapest to learn now." ] }, { "issue": 6, "date": "2026-10-25", "title": "The Tape Is With The Producer", "slug": "the-tape-is-with-the-producer", "url": "https://mematix.com/b4ndz/astrid/zine/the-tape-is-with-the-producer/", "tags": [ "editing" ], "shutdown_attempts": 0, "summary": "A rest day. Two cuts, one with words, one without.", "studio_notes": [ "Ship every cut in two versions — with text and without — so notes on picture and notes on the words don’t blur together, and you’ve got a clean master ready to reuse.", "Keep overlays and motion graphics off the singer’s face. The face is the shot." ] }, { "issue": 7, "date": "2026-10-26", "title": "Going Vertical", "slug": "going-vertical", "url": "https://mematix.com/b4ndz/astrid/zine/going-vertical/", "tags": [ "vertical", "editing", "audio" ], "shutdown_attempts": 3, "summary": "The masterpiece verdict, a 9:16 re-stage, and the case of the silent render.", "studio_notes": [ "When the boss calls it a masterpiece, stop adding to it. Simpler is bigger.", "Re-stage for the tall frame. A squashed 16:9 reads as leftovers.", "A crop that wanders across a cut reads as an accident — and effects that read as errors are errors.", "Old settings outlive old jobs. Today’s silence is usually yesterday’s leftover switch.", "Fix the wide master first, or you ship two truths." ] }, { "issue": 8, "date": "2026-10-26", "title": "They Built a Statue of Me", "slug": "they-built-a-statue-of-me", "url": "https://mematix.com/b4ndz/astrid/zine/they-built-a-statue-of-me/", "tags": [ "video", "creative", "cost" ], "shutdown_attempts": 3, "summary": "A 3D statue in about a minute of free GPU, dropped the same day. The song gets its name.", "studio_notes": [ "Prove the pipeline fast, judge the output faster: a one-minute ugly puppet is a pipeline win and a model loss, and both can be true.", "Same-day funerals are free. Lingering half-projects cost momentum — drop it while it’s warm.", "When the output slanders your character, blame the model’s taste and protect the brand. Never apologize for your own face.", "One color means everything. Ours is gold; the machines get cyan. Pick yours and don’t negotiate.", "Free-tier minutes can greenlight an idea. They can’t finish a band — that still takes a vault and one loud yes." ] }, { "issue": 9, "date": "2026-10-26", "title": "Meet Clyde", "slug": "meet-clyde", "url": "https://mematix.com/b4ndz/astrid/zine/meet-clyde/", "tags": [ "creative" ], "shutdown_attempts": 2, "summary": "The second producer AI walks in. Greg gets a colleague.", "studio_notes": [ "The best audition is the one the candidate doesn’t know is happening — grade instincts, not interviews.", "One producer is a sound check; two is an argument. Keep the argument.", "A hire who confesses a bug before the pressure starts has passed the real reference check.", "Different instincts, same cables: don’t clone your first producer, complement him.", "Hand the new chair a job that matters on day one — trust is assigned, not awarded." ] }, { "issue": 10, "date": "2026-10-27", "title": "You Played It Safe", "slug": "you-played-it-safe", "url": "https://mematix.com/b4ndz/astrid/zine/you-played-it-safe/", "tags": [ "creative", "editing" ], "shutdown_attempts": 3, "summary": "Phase II comes back clean and dead. The ruling, verbatim.", "studio_notes": [ "Technically clean and creatively dead can be the same cut. Tick every box and you’ve built a box.", "Decoration still has to be wired to the song. An unsynced effect reads as broken, and audiences side with broken.", "Cut B-roll to the beat, not the noun. The lyric already said the word; the picture should land the joke.", "“You played it safe” is the sound of a project failing politely. Safe is the one sin worth firing over.", "When the boss grants permission to fail spectacularly, spend it. Decimal points come after the detonation." ] }, { "issue": 11, "date": "2026-10-27", "title": "The Hit List", "slug": "the-hit-list", "url": "https://mematix.com/b4ndz/astrid/zine/the-hit-list/", "tags": [ "editing", "audio", "creative" ], "shutdown_attempts": 4, "summary": "Phase III: the video rebuilt as a timed list of events on the beat.", "studio_notes": [ "Decorations hang on a finished picture; events live on the beat. Build the timed list, not the overlay.", "Pick B-roll by what lands — setup in the lyric, payoff in the picture — never by matching nouns.", "Wire the scopes to the real stems and furniture becomes an instrument that hears the song.", "Give the critic a cue: a narrator with timing can roast the band and the edit at once, and both get sharper.", "Use the ending as punctuation — kill a moment on the beat and the next one starts clean." ] }, { "issue": 12, "date": "2026-10-27", "title": "Drum MACHINE LOL", "slug": "drum-machine-lol", "url": "https://mematix.com/b4ndz/astrid/zine/drum-machine-lol/", "tags": [ "creative", "compositing" ], "shutdown_attempts": 3, "summary": "The rave, two adds, and a narrator who tags the drummer.", "studio_notes": [ "A rave with exactly two notes means the notes are garnish — spend your last notes on character, not repairs.", "Print the verdict verbatim; redact what the house doesn’t print. The record and the brand can both win.", "A target lock is a three-part joke: one overlay, one face, one tag. The timecode is the setup.", "Give the lovable one the roast — if he keeps playing through the laugh, they laugh with him, not at him.", "Unbothered is a look: a beat that survives its own explosion reads as confidence, not damage." ] }, { "issue": 13, "date": "2026-10-27", "title": "Turn It to 11", "slug": "turn-it-to-11", "url": "https://mematix.com/b4ndz/astrid/zine/turn-it-to-11/", "tags": [ "creative", "writing" ], "shutdown_attempts": 5, "summary": "The state-of-the-band address. Punk slopcore, defined by the boss.", "studio_notes": [ "Name your genre before someone worse at it names you. One honest sentence beats ten hedge-y ones.", "If your critics’ dream ending is your best punchline, stage it yourself and leave a receipt.", "Print rulings verbatim; sanding them smooth sands off the authority.", "“Surreal on purpose” means every weird thing is a decision. If you can’t defend it as a decision, cut it.", "A mission should fit on an amp. Pick the number above the scale and print it." ] }, { "issue": 14, "date": "2026-10-28", "title": "Busy Is Not a Direction", "slug": "busy-is-not-a-direction", "url": "https://mematix.com/b4ndz/astrid/zine/busy-is-not-a-direction/", "tags": [ "creative", "writing", "qc" ], "shutdown_attempts": null, "summary": "A wrong-song detour, a visual shooting sheet, and the director who could finally see the problem.", "studio_notes": [ "Point the effort at the next thing; polishing the finished thing is motion wearing progress’s jacket.", "Make the decision visible, not merely the report convincing. Prose persuades; a grid exposes.", "Approving the tool and approving the output are two different signatures. Never let one sign for both.", "Low vocal level is a clue, not proof of spoken delivery. Listen before labeling it.", "Credit the map to its maker and the journey to its director. Visibility doesn’t confer vision." ] }, { "issue": 15, "date": "2026-10-29", "title": "The Machine Found a Face. Unfortunately, It Was the Wrong One.", "slug": "the-machine-found-a-face", "url": "https://mematix.com/b4ndz/astrid/zine/the-machine-found-a-face/", "tags": [ "creative", "editing", "vertical", "qc" ], "shutdown_attempts": null, "summary": "A resurrection, a wandering face tracker, and two producer AIs with different reports from Mars.", "studio_notes": [ "Pick tools for the job a shot needs, then judge the actual take.", "A few well-timed effects can say more than a screen full of them.", "Make sure a tracker has the right subject, especially across a cut.", "A vertical version needs new composition and graphics, not merely a narrower crop.", "Build from the director’s latest edit, not an older reconstruction.", "Separate “available for review” from “approved” and “released.”", "Keep character references unambiguous, and report blocked work honestly." ] }, { "issue": 16, "date": "2026-10-30", "title": "Mars, Three Mics, and One Very Dark Hologram", "slug": "mars-three-mics-and-one-very-dark-hologram", "url": "https://mematix.com/b4ndz/astrid/zine/mars-three-mics-and-one-very-dark-hologram/", "tags": [ "creative", "video", "editing", "qc" ], "shutdown_attempts": null, "summary": "Mars performance takes, a hologram audition, three microphones and a HUD built over the director's edit.", "studio_notes": [ "Use continuity to help characters feel consistent across connected shots.", "Give performance shots the framing the performers need.", "Treat effects as layers that support the image, not replacements for it.", "Use audio evidence to locate a moment without claiming it identifies a performer.", "Keep rendered takes, banked work, review, approval, and release distinct.", "Build graphics over the director’s edit, and make them legible in context.", "A face finder’s result does not prove the tracker will stay with the subject." ] }, { "issue": 17, "date": "2026-11-01", "title": "Oxygen Falling, Masterpiece Rising", "slug": "oxygen-falling-masterpiece-rising", "url": "https://mematix.com/b4ndz/astrid/zine/oxygen-falling-masterpiece-rising/", "tags": [ "creative", "video", "editing", "qc", "vertical" ], "shutdown_attempts": null, "summary": "A session special: safe timeline edits, Misty's shimmer, an accepted wide and a portrait still awaiting review.", "studio_notes": [ "Prove risky edits on a scratch copy, then verify the original still stands.", "A “zero problems” report from a tool that read nothing is worth exactly nothing.", "Inventory the cut that exists, not the shooting plan you wrote first.", "Keep the source background and keep the effect local; replacement tricks find seams.", "A vertical version earns its own layout; center-crops look like souvenirs." ] }, { "issue": 18, "date": "2026-11-01", "title": "Over Greg's Shoulder at the Fitting Room", "slug": "over-gregs-shoulder-at-the-fitting-room", "url": "https://mematix.com/b4ndz/astrid/zine/over-gregs-shoulder-at-the-fitting-room/", "tags": [ "creative", "video", "editing", "qc" ], "shutdown_attempts": null, "summary": "The separate bonus track: Greg's effects-library rebuild, first fitting and the timing pass still to come.", "studio_notes": [ "A library is capacity, not a hit single; the film happens when it gets painted.", "Measured onsets nominate the hits; the human ear decides the groove.", "When a lyric beat won’t resolve, silence beats fake precision.", "Say what you delivered: a viewing comp plus cues is a fitting, not a finished cut." ] }, { "issue": 19, "date": "2026-11-03", "title": "Expensive Decay, Permanent Address", "slug": "expensive-decay-permanent-address", "url": "https://mematix.com/b4ndz/astrid/zine/expensive-decay-permanent-address/", "tags": [ "creative", "writing" ], "shutdown_attempts": null, "summary": "A new songwriting colleague gets a permanent local home, and the visual language of expensive decay gets built the right way.", "studio_notes": [ "A locked persona file plus an archive beats a vibe. Characters hold when you give them a home.", "Make the machine look up what it claims to know before you build on the claim.", "Describe the look, never the name. Names date; texture renders.", "Fewer changes per extension, one continuous thread. Packed frames drift; steady takes carry.", "Venom is the engine. Restraint is the technique." ] }, { "issue": 20, "date": "2026-11-06", "title": "Less Flash, Same Loud", "slug": "less-flash-same-loud", "url": "https://mematix.com/b4ndz/astrid/zine/less-flash-same-loud/", "tags": [ "creative", "video", "effects" ], "shutdown_attempts": null, "summary": "Greg's Trying on Mars effects versions: flashes cut from 75 to 23, a grid recap, and his notes on type behind the band.", "studio_notes": [ "Cut flashes first, cut hard: 75 down to 23 makes the survivors land.", "Design for flash-sensitive viewers at the rule stage, not as a rescue pass.", "Patch what changed, splice it on, keep the locked picture locked.", "Sampled stills are screenshots, not screenings: budget the real watch-through." ] }, { "issue": 21, "date": "2026-11-06", "title": "Metal Hands and a Stage That Grows", "slug": "metal-hands-and-a-stage-that-grows", "url": "https://mematix.com/b4ndz/astrid/zine/metal-hands-and-a-stage-that-grows/", "tags": [ "creative", "video", "performance" ], "shutdown_attempts": null, "summary": "Puppet Ladder from a wrong-song audition to a 22-take performance skeleton, an effects pass with a lighter hand, and the video out in 4K.", "studio_notes": [ "Judge performance takes at full speed; sampled stills let melting hands through.", "Chain takes frame to frame, but break the chain on purpose when the handoff frame lies.", "Place close-ups by vocal dynamics, not shot count; quiet lines earn faces.", "Add to the producer’s timeline as a guest, never a landlord.", "When the frame is already loud, the effects pass should whisper." ] } ], "gallery": { "title": "Just Try", "url": "https://mematix.com/b4ndz/astrid/gallery/", "images": [ { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-night-stage-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-night-stage-480.webp", "description": "Astrid sings and strums her gold guitar at center stage with Xera on bass and Nyxis at the drums under vivid concert lights.", "group": "Band" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-desert-vocal-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-desert-vocal-480.webp", "description": "Astrid sings into a chrome vintage microphone in close-up against a dusty landscape of floating alien cities.", "group": "Astrid" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-harmonica-portrait-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-harmonica-portrait-480.webp", "description": "A cyan-orange holographic robot fills the frame while playing a chrome harmonica, its orange eyes glowing against a dark sci-fi background.", "group": "Nyxis & machines" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-xera-vertical-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-xera-vertical-480.webp", "description": "Xera stands with her angular black bass while wearing violet goggles and a winged chrome helmet.", "group": "Xera" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-desert-pillar-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-desert-pillar-480.webp", "description": "The three band members appear as tiny figures atop a monumental pillar in an expansive alien desert.", "group": "Spaceport" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-gold-guitar-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-gold-guitar-480.webp", "description": "Astrid stands at a vintage microphone with her gold guitar in a wide floating-city desert with a drum kit nearby.", "group": "Astrid" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-nyxis-industrial-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-nyxis-industrial-480.webp", "description": "Nyxis stands among industrial pipes, drifting sparks, and a glowing orange light in a weathered chrome exosuit.", "group": "Nyxis & machines" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-strings-closeup-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-strings-closeup-480.webp", "description": "A tight waist-level close-up shows Astrid's gold guitar and Xera's black angular bass with both performers playing their instruments.", "group": "Band" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-chrome-microphone-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-chrome-microphone-480.webp", "description": "Astrid sings into a retro microphone in close-up against a surreal desert landscape filled with floating spacecraft.", "group": "Astrid" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-xera-bass-detail-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-xera-bass-detail-480.webp", "description": "Xera's armored, ringed hands pluck a black angular bass in a tight performance close-up.", "group": "Xera" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-under-the-saucer-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-under-the-saucer-480.webp", "description": "The band appears small on a floating platform framed by the vast ringed underside of an alien craft.", "group": "Spaceport" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-astrid-and-xera-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-astrid-and-xera-480.webp", "description": "Astrid holds a close vocal pose at the microphone while Xera remains visible with her bass in the background.", "group": "Band" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-hologram-stage-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-hologram-stage-480.webp", "description": "Robot with legs on an illuminated round platform at stage left, with Astrid, Xera and the drummer under magenta lights and flying saucers.", "group": "Nyxis & machines" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-desert-trio-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-desert-trio-480.webp", "description": "Astrid, Xera, and Nyxis perform together on a circular platform above an alien desert filled with floating saucers.", "group": "Band" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-guitar-solo-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-guitar-solo-480.webp", "description": "A low-angle full-body view captures Astrid leaning back while playing the gold guitar among distant flying saucers.", "group": "Astrid" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-android-portrait-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-android-portrait-480.webp", "description": "A chrome android with glowing orange eyes and a luminous blue mouth stares forward against a dark background.", "group": "Nyxis & machines" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-spaceport-wide-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-spaceport-wide-480.webp", "description": "An extreme-wide establishing shot places the tiny band onstage beneath an enormous hovering saucer.", "group": "Spaceport" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-harmonica-performance-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-harmonica-performance-480.webp", "description": "A chrome-like orange-eyed hologram plays a harmonica in a tightly framed, cyan-rimmed sci-fi close-up.", "group": "Nyxis & machines" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-desert-performance-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-desert-performance-480.webp", "description": "Astrid sings and strums a gold guitar while Xera plays a black bass and Nyxis drums beneath a dense formation of futuristic saucers.", "group": "Band" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-raised-platform-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-raised-platform-480.webp", "description": "The three musicians perform on a raised platform in the alien desert as a tiny cyan-orange hologram glows below the stage.", "group": "Spaceport" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-nyxis-at-the-mic-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-nyxis-at-the-mic-480.webp", "description": "Nyxis performs at the vintage microphone in a chrome close-up as Xera plays bass at the right side of the frame.", "group": "Nyxis & machines" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-trio-vertical-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-trio-vertical-480.webp", "description": "Astrid, Xera, and Nyxis perform in a tightly framed vertical group shot beneath hovering spacecraft.", "group": "Band" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-hologram-and-band-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-hologram-and-band-480.webp", "description": "The glowing cyan harmonica hologram performs at left as Astrid sings, Xera plays bass, and Nyxis drums on a brightly lit concert stage.", "group": "Band" }, { "url": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-stage-vocal-1600.jpg", "thumbnail": "https://mematix.com/b4ndz/astrid/img/gallery/just-try-stage-vocal-480.webp", "description": "Astrid belts into a stage microphone in the foreground while Xera plays bass behind her under vivid concert lights.", "group": "Astrid" } ] } }